retrocam

Kodachrome filter for rich slide film color

Kodachrome is the film of classic travel and magazine photography: deep color, punchy contrast and almost no grain. This preset gives your photos that rich, saturated slide-film quality. Reds glow, blues look deep and the whole image feels vivid without the grit of the other film looks.

Open the booth with Kodachrome Use it on a photo
Booth portrait, originalBefore
Booth portrait with the Kodachrome lookKodachrome
Seaside town at sunset, originalBefore
Seaside town at sunset with the Kodachrome lookKodachrome

Example images are illustrations made for RetroCam, run through the same Kodachrome look you get in the booth.

The legendary slide film

Kodak introduced Kodachrome in 1935, and it stayed in production for most of a century. It was a color slide film, viewed by projecting it onto a screen, and it needed its own complex processing.

Kodachrome 64 was a favorite of travel and documentary photographers for its sharpness, fine grain and long-lasting color. Kodak stopped making it in 2009, and the last processing ended soon after, which only made it more legendary.

What this preset does to your photo

Saturation and contrast are both raised strongly, giving dense, vivid color. Red is lifted most in the midtones and blue in the midtones and highlights, so warm and cool colors both get richer. A slight warm shift keeps skin pleasant.

Grain is very fine, among the lightest of the film looks, and a moderate vignette frames the image.

Because both reds and blues get deeper, a red jacket against a blue sky gets the classic slide-film punch. Shadows also get darker with the added contrast, so very dark areas can lose detail.

How to get the best result

Colorful scenes are where this look excels. Bright clothes, a painted wall or a sunny street will all come alive. Strong daylight works well, since slide film was used in good light.

The Minimal frame keeps attention on the color, and the 1:1 square export recalls the shape of mounted slides.

If faces start to look too intense, open the photo in the editor and lower the intensity slider. Around two thirds strength keeps the richness while easing the saturation.

Tips

  • Wear bold reds, yellows or blues.
  • Shoot in bright, direct light.
  • Avoid already saturated scenes, they can get too intense.
  • Use the editor's intensity slider for subtle results.

Questions

Why is there so little grain?

Kodachrome 64 was a slow, fine-grained film. The preset keeps grain very light so the color and sharpness stand out.

How is this different from Kodak Gold 200?

Gold 200 is warm and golden with more grain. Kodachrome is more contrasty and saturated, with richer blues as well as reds.

Is this good for portraits?

It can be, especially in colorful outfits. For softer skin tones, Portra 400 or Fuji 400H are gentler choices.

Film and camera names describe the style this look is inspired by. RetroCam is not affiliated with Kodak, Fujifilm, Polaroid, Ilford or CineStill.